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This transcript was created on 2026-09-13 at 20:20:39

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Hello, dear listener, and welcome back to 500 year diary, the only Doctor Who podcast that doesn't know what a galaxy is and doesn't care to know.

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I'm Nathan.

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I'm Adam.

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I'm James.

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And I'm Melvin.

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Well, it's been 4.5 months since Ian and Barbara left the TARDIS, breaking both the doctor's heart and ours, and it's been just one week since we got our 1st glimpse of the planet Kemble, the most hostile planet in the universe.

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And tonight, 8.30000 people have tuned in to watch a historic moment in the history of the universe, and to find out what happens when the doctor fails to turn up and save the day.

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It's time for us to discuss mission to the unknown.

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So this thing, which we all watched, is the 2019 remake from the University of Lancashire.

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Is that right?

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Central Lancashire.

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Central Lancashire.

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Central Lancashire.

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Not on the outskirts of Lancashire.

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It's a rich island.

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Yes, exactly.

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And it's amazing.

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I mean, it really is quite extraordinary, I think.

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And it really has just an adorable kind of earnestness to it, which works very well because this is, you know, when we finally come back to this story after the myth makers, there's a kind of campness, I think, in particular to that scene, which we've just seen for the 1st time in the control room where Brett Vine is making his announcement into the ether and no one's listening to it.

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Like, and that's really fun and funny and stuff.

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But this is very, very serious in a very terry nation kind of way.

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And I think what isn't really sufficiently acknowledged is this is the fourth iteration of the Daleks.

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It's really quite different from any of the previous three.

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And this is where we land, I think, finally with the Daleks.

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Like, I think this is the moment at which the Daleks are kind of finalised.

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Whittaker will come along and maybe make the more mythic and maybe make the more directly the doctor's opposite.

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But this is the Daleks that come back in 2005's parting of the ways, I think.

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Also, the Daleks, that turn against the people that they're cajoling.

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They're like, oh, we could take over, but we'll just butter up some people.

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I was just about to say like this.

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I mean, they have it all together here.

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Like, everything is working on all cylinders and it's, you know, we'll talk about the doctor listness or the doctor lightness of this at length, I think, but like, it's really incredible that they have, you know, assembled this sort of legion of doom, as it were. and Well, I mean, this is the thing is like they're politic.

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They have a social order.

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They have an arrangement of, you know, they've got plans in order.

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I know, I think there were jokes that were told around the time that the 1st and 3rd episodes of uh, Dolex Master plan finally came back that they, you know, might have had like, you know, charcuterie boards out and like, you know, for for the meetings.

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Like, I was actually looking for that on the tables there, uh, in mission to the unknown.

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But there's a sort of like they have a plan in order and they have roped in these 7 or 6 other cultures to take part in it.

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And so they've, they, you know, this is not something that they've hastily put together, but that you also see in their pursuit and hunting down, totally destroy as they say, the ship that's landed from Earth and to hunt down the people who were in it, like they're absolute ruthlessness.

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So, I mean, this is one episode where the Daleks just, they have everything going their way.

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And that is, it's kind of remarkable.

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You could say they're playing a long game. drawing another parallel to series one.

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I mean, the thing is that each time we've brought the Daleks back, like the scale has been greater.

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And Terry Nation will eventually settle on, when he does Doctor Who for the 70s, he basically drops 3 scripts that are the same.

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And, you know, Bob Holmes and Hinchcliffe will call him out on it the 3rd time and so Genesis of the Daleks, which is very Terry Nation, like lots of people who don't want to give Terry Nation credit for being good say, well, obviously Bob Holmes is making that good.

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But those 3 are strong, enjoyable screens, but they are very similar to one another.

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Whereas this, we go from, you know, the Daleks of these sort of mutants in a in a city.

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They're sort of helpless and they don't know themselves and they don't really know the world that they find themselves in.

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Then they come to earth, which again is sort of huge and epic and starts to threaten us, the audience at home.

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Then they're travelling through time and space, you know, and they're threatening the doctor by kind of horning in on the premise of the show.

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And now here, it's galaxies and spaceships that, you know, the likes of which we've never seen before, and all of this sort of stuff, which we think of as the kind of Dalek's natural habitat, and maybe it is because of the the TV 21 comics or something at this time, but this is them on television, sort of finally, they're an intergalactic power, and they threaten not just Earth, but even, you know, Jupiter and Venus and things, you know.

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I was wondering about the genesis of this, like the idea of it, because originally the Daleks were coded as Nazis, it was very much, you know, oh, World War 2 was terrible.

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The Nazis were terrible.

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This is kind of like end stage, Nazism.

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Whereas this feels like, because we're a bit further into the 60s.

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This feels like the Soviet Union.

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Like, it's the communist.

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Yeah, yeah. kind of basically going, oh, any recently decolonised countries will scoop all of those up and you know, we've found them all on the fringes of society and we're going to now build our own UN that will attack the rest of the world.

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And it feels, because that was very much the sense that was going on then in the 60s where the Western world was terrified of this growing alliance of Eastern European countries and African countries and Asian countries that were all siding with communism.

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So it feels like a very a palpable terror that's going on, this this alignment that the Daleks have set up and then kill everyone.

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Yeah, it makes it much more immediate.

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Yeah, like if you were living through that, you would be like, 0 my god, another country has decided to go over. wasn't that wasn't that a British domain?

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Oh, no, lost another one. be New Zealand next.

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I think New Zealand's someone with the big tall pointing out in the little eyes.

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He's my favourite man.

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Yes, we will perhaps try and disentangle who all of those are.

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We have Malfa with a delightful regional accent in the ring.

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I mean, central Lancashire.

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That's great.

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Exactly.

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So we have him Zephon was going to be in this episode, but was cancelled, apparently, or he turned up late or something.

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He missed his pass.

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He was always turning on blades.

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And it is, I think, impossible because this is directed by Derek Martinez and the other ones are going to be directed by Dougie Canfield. somehow we lose track of which delegate is which, and none of it kind of tends to make any sense.

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But the sinister guy with the kind of concertina head.

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He's awesome.

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He's maybe the best way.

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He looks like, um, do you remember the, what was it?

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Johnson and Friends, that kids show where one of them was a little accordion.

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Johnson in France.

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It was like an elephant, I think.

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And a hot water bottle.

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Yes.

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Like an accordion.

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The one's Johnson.

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Right.

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Johnson was the elephant.

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Okay, right.

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But they are also kind of like the Mekon or something, you know, like it is also just this...

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Yeah, yeah. is him just now doing space opera.

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You know, obviously, this is a sort of precursor to Blake 7 in tone in many ways as well, but just that the sort of galaxy spanning scale of it and throwing words like universe and galaxy and solar system around, a constellation with absolutely no regard to what any of them mean.

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Like it just makes the scale huge.

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I mean, and when you compare it to that little dalek city surrounded by swamp or whatever that we had way back in 19603.

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It is a huge departure.

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And it does make them for the 1st time the threat that we now kind of know them to be, I think.

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And I wonder if the part of the ephemerality of the weekly series.

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Like you're saying that the continuity doesn't really hold from one episode to the next or from mission to the unknown to the start of the Daleks master plan.

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Like the thinking about how this is the 4th time that we've introduced the Daleks more or less.

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Like I was thinking about watching Mission to the Unknown.

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And this is probably the 1st time I watched it since the recreation came out, that the 1st time you see a dollar, or the 1st time that the Dalek, you know, approaches a human, he kills him.

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Like, you know, they're at the end when he kills Corey.

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And I'm like, what a dramatic and big and stakes filled way to meet a doll.

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Like, I mean, think about a meeting in the Daleks in the 1st cereal, when you, 1st time you see the plunger, you know, it's coming at Barbara, you don't really think that Barbara's going to die.

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You know, she's one of the main casts.

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Like the fact that the Dalek enters and kills a person or that they all come and sort of like gang up on him and totally destroy him as they as the as the Daleks ask him to, it's really quite stunning, you know, in the way that the Dalek acts in the 2005 Kit Eccleston episode, like that there are that people can die because of these.

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This is not just a, like, not just a rubber monster with a giant head.

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You know, this is, this is, this is, this is serious.

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There's a great moment, isn't there, where one of the Daleks asks the other one if they're capturing them and keeping them as prisoners, and they say, no, you're going to kill them.

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We're just killing them all on site and then they go off and kill him.

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And that, like, that's the stakes.

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He's not going to escape.

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Yep, yeah.

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And the stakes there are also, he's been trying to warn Earth of an invasion.

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And he dies before he can send the message.

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So he's failed.

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And that's a great hook into, like, into the story we get in 4 weeks' time.

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It's like, it's a great teaser.

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So yeah, as an as a as a Dalek reintroduction story.

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This is, I mean, this is this is the stuff.

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It's like, you know, he's, uh, Terry Nation's basically writing the pilot for his American, um, Dalek series here.

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He's like, oh, this is how it'll work.

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We'll kill the lead actor every week.

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I mean, you know, there is a Blake 7ness to it, and there's hints of kind of like a sort of militaristic or sort of authoritarian regime on earth.

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Uh, you know, when we go back to Earth in a few weeks time.

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And here we have a situation where the space security service are able to kill people, if they want and can press, gang anyone into doing what they say.

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So they, they have the authority to tell Lowry to do whatever.

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And that is the world, of course, that Blake 7 takes place in as well.

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Yeah, in a real sense, they're kind of pitching.

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Like, you know, if we take that analogy further.

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Earth really looks like an authoritarian regime at this point.

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And they're dressed, you know, quite Hugo Bosk-esque man?

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I was like, Earth, Earth are the Nazis and they're fighting space communists.

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Yeah.

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Well, I mean, think about Genesis of the Daleks.

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That's not just Bob Holmes.

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The idea that in Genesis of the Daleks, the thals are terrible people and unsympathetic.

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There's no likeable characters.

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There's no one that we can side with.

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And that's even almost sort of present in in Planet of the Daleks already when we bring the files back and they aren't the peaceful files from 8 seasons ago or whatever.

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They are, you know, they're fiercely militaristic and and they have very little regard for life and and things like that.

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And so that is Terry.

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And that level of bleakness, that level of real politic and stuff is also present in Dalek Invasion of Earth.

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You know, so I have this sort of theory that everyone likes to credit Philip Hinchcliffe for Horror of Fang Rock because they don't want to give Graham Williams a win.

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And I think, and we credit Bob Holmes, and I think Peter Griffiths will agree with me.

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We tend to credit Bob Holmes for how excellent Genesis of the Daleks is because we don't want to give Terry Nation a win.

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But all of that stuff, all of that creating equally unsympathetic opposition for the Daleks to face is interesting.

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And, and in the, I don't know if it happened in the original, but there's a moment where Lowry objects to the death of Jeff and adorable little Marco kind of gives him a bit of a punch in the face and he falls so far.

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Yes.

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And again, you know, like that's creating this sort of anti-hero that Mark Corey is definitely like, supposed to be the square jawed hero with the absurdly part, Edward DeSouza accent in the original recording.

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But he's the, he's our hero.

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He's our guy, but he is a bad guy in all sorts of ways.

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And later on, we'll see Brett Vine and Sarah Kingdom behaving in similar ways.

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Whether it's Edward D'Souza with the posh accent or Marco Simeoni here with his impossibly square jaw and good looks, like it definitely belies that, like you say, sort of hint of authoritarianism that undergirds it because, you know, I watched this, you know, because it's just the one episode and I'm like, I want it to be as conversant with it as possible.

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And because it's so homespun and charming, like I think I'm pretty sure I watched this 10 times.

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But by the time I got to the 10th time, that is when I started to notice these things, that the failure, as you were pointing out, that he does fail, like that every part of this, of the human, of the earth mission here fails, because he is a sleeper agent for the space security service.

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He's the one who tells Lowry to land on Campbell, because he has this suspicion, even though he hasn't told any of his superiors, that while this mission is going on, that this is part of what he's there to do, is to scout ahead for, you know, the reports of the of the Dalek activity that's been sort of rumoured or cited or whatever.

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And when he gets down to the planet, he fails, he fails almost from the beginning, because when they get onto the planet, there's some sort of like confusion for me about whether they've chosen to land or crashed, because there's a, they keep saying that the, that, that when we crashed, and now the ship doesn't work, but the moment that they get back into the ship, after Garvey's been killed, or Garvey's been taken over by the Varga plant, he comes back.

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Corey turns, as soon as he sees that the Varga slash Garvey is approaching Lowry shoots him, and then Lowry's like, what are you doing?

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And he starts to panic and he's like, it was either you or him.

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Like the, the, the decisive action he takes, both times he does it, is to kill one of his other crew members.

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So he, he kills Lowry when it's clear that he is changing into a Varga plant.

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But every other time he needs to follow his mission protocols.

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He either takes too long or he prevaricates.

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He goes into exposition mode when he starts to explain to like, what's the point of the mission?

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Like, he's like, well, you deserve an explanation if I'm going to enlist you.

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But...

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Yeah.

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But this is the thing is like once he understands that the ship cannot leave and he realises that the Vargas are here.

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So that means the Daleks are here, he should be in mission critical mode, which is, what's the next thing we need to do is to get the beacon out there.

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But they, yeah, spend time doing all this stuff.

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And then once Lowry is putting the launch for the beacon together, he's still like sitting around monologuing. like you should be recording recording the tape now.

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Yeah, there's so many failures on his capacity in this mission.

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Like he, he very rarely takes the decisive action he needs to do when he needs to do it.

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Like, you were pointing out earlier, when the Daleks say, you know, should we bring these guys in as captive, they're like, no, kill them on site.

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Like, Corey doesn't do what the mission requires of him when it does require it of him.

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So he has failed along every point of this of this mission.

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So I just think that's important to say, like, in terms of the fact that he also represents an authoritarian regime, like, when he has to take command, he fails almost every single point.

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I take your point about that, but I think with the type, he's kind of stuck in this thing where old mate wants to send the tape up to get rescued and he's like, I am not doing that.

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Like, this is a suicide mission, and when the tape goes up, it's me telling them about the Daleks, but he can't record that in front of the other guy. just to wait till it's like, I've got to wait till his back's turned or he's dead. before I can do this recording.

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There is a hilarious moment, isn't there?

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Where it's just like, all right, you know, grab this huge giant thing.

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Weve got to get out of here. cut it through the jungle.

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Just record it now and sit it now.

183
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Why are you carrying somewhere else?

184
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I do love this production because it's like they've gone, oh, what's something we can do at university with our very limited abilities and go, oh, we could make a TV show from the 60s, easy.

185
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We needed some pot plants. and some plyboard.

186
00:19:36.420 --> 00:19:38.279
Yeah, and a lot of...

187
00:19:39.359 --> 00:19:43.019
Apparently they ended up doing a soap opera episode as well.

188
00:19:43.079 --> 00:19:52.079
Like they liaise with people who are making Coronation Street and... a soap episode and obviously that's a sort of reasonably low budget thing. that you can that you can do.

189
00:19:52.500 --> 00:19:57.240
Like I think this was an, you know, just an absolutely extraordinarily brilliant idea.

190
00:19:57.539 --> 00:20:04.740
And it's the one thing that you can remake where because there's no regulars in it, it doesn't matter that you recast everyone.

191
00:20:05.039 --> 00:20:09.660
You know, you don't have someone having to do a sort of Bill Hartnell impersonation or anything like that.

192
00:20:10.079 --> 00:20:11.339
And so this is perfect.

193
00:20:11.579 --> 00:20:13.619
Literally the only thing that you could do this to.

194
00:20:13.859 --> 00:20:15.359
I mean, it's such a gift.

195
00:20:15.420 --> 00:20:20.880
We're so incredibly lucky to have it because so we'll talk more about this.

196
00:20:20.940 --> 00:20:28.859
I think in a couple of weeks time, but like my proper 1st experience of this story was the CD with the MP3s on it.

197
00:20:29.099 --> 00:20:29.759
Oh, yeah.

198
00:20:29.759 --> 00:20:39.720
And loading it onto a 1st generation iPod shuffle, which had the capacity of like 256 or 512 mag.

199
00:20:39.839 --> 00:20:41.880
You know, the one that was like a stick of gum.

200
00:20:42.059 --> 00:20:45.900
Yeah, and you could just clip it on your... didn't have a clip, it had a lanyard.

201
00:20:45.960 --> 00:20:47.160
You had it around your neck.

202
00:20:47.279 --> 00:20:48.480
It was really old.

203
00:20:48.720 --> 00:20:49.980
And I just...

204
00:20:49.980 --> 00:20:51.960
Please, I looked like a highlighter on land.

205
00:20:52.019 --> 00:20:52.680
Yeah, yeah, yeah.

206
00:20:52.680 --> 00:20:57.599
And I just listened to it over and over and over again when I was walking to work.

207
00:20:57.660 --> 00:21:02.940
It would take me, you know, 50 minutes of walk to work, I would get 2 episodes of Dalek, so I was planning.

208
00:21:03.000 --> 00:21:04.920
And so that was kind of my 1st experience of it.

209
00:21:04.980 --> 00:21:06.180
I loved Darlic Monaster Plan.

210
00:21:06.240 --> 00:21:07.500
I just think it's absolutely superb.

211
00:21:08.220 --> 00:21:12.720
But I hadn't really realised until a remake how just superb this is.

212
00:21:13.440 --> 00:21:15.420
Like it is properly good.

213
00:21:15.480 --> 00:21:17.460
And I think that Varga plant thing.

214
00:21:17.519 --> 00:21:19.559
You know, we've had the slither.

215
00:21:21.059 --> 00:21:27.599
The Mayer beasts. and whatever the hell those things were in the swamp in the dialect.

216
00:21:29.099 --> 00:21:32.759
You know, like he's always wanted to put like ridiculous monsters in.

217
00:21:33.059 --> 00:21:40.559
And the Wanga plants are ridiculous monsters, like they are, you know, fabulously silly, dragging themselves in.

218
00:21:42.119 --> 00:21:43.380
I loved that line.

219
00:21:43.440 --> 00:21:45.240
It's what Triffords do.

220
00:21:45.359 --> 00:21:57.359
And even that sort of like got me thinking about, again, that sort of Mark Corey's various failures is that he's so used to things being done a certain way that once he takes command, it is he who is dragging his roots.

221
00:21:57.660 --> 00:22:05.460
Like, and I was just like, oh, my God, it's all, it's all, uh, it's, uh, talking about terry nation, like giving him probably more credit than he deserves.

222
00:22:06.240 --> 00:22:07.799
I was ready to give him some props.

223
00:22:08.160 --> 00:22:23.759
I mean, here too, the faga plants also help sell the idea of a massive communist enemy as well because what they do is that they turn you into a sleeper agent who is going to go and kill people.

224
00:22:24.119 --> 00:22:30.779
And so you can't tell that someone has been subverted and might kill you at any moment.

225
00:22:32.460 --> 00:22:34.079
Until they turn into a plant, obviously.

226
00:22:34.319 --> 00:22:35.880
There's a bunch of cotton wool with sticks.

227
00:22:36.720 --> 00:22:37.799
That's such a great moment.

228
00:22:37.980 --> 00:22:46.079
It's so fun at the moment where Garvey just kind of like stretches his head back and holds out his because, whoa, and then suddenly phoop is a giant plant.

229
00:22:46.559 --> 00:22:48.480
So good. one of the best moments.

230
00:22:48.779 --> 00:22:54.240
I hope it was like that in the original. dragging himself by his human legs.

231
00:22:55.380 --> 00:22:57.059
I also love how cramped it is.

232
00:22:57.059 --> 00:22:58.980
Like an actual 60s episode.

233
00:22:59.039 --> 00:23:01.440
Like, there's like, oh, the Vaga plant's right there.

234
00:23:01.740 --> 00:23:03.420
Right there, and then another one just here.

235
00:23:05.160 --> 00:23:06.480
That was wonderful as well.

236
00:23:06.539 --> 00:23:07.920
Like, that was absolutely wonderful.

237
00:23:08.099 --> 00:23:10.440
Just the minuscule sizes of the sets.

238
00:23:11.039 --> 00:23:12.960
It was like watching snake dance again.

239
00:23:15.539 --> 00:23:17.160
But incredible.

240
00:23:17.279 --> 00:23:21.779
And that scene where they're preparing the recorder at the bottom of the ship.

241
00:23:21.839 --> 00:23:27.059
And I think the ship is beautifully realised, like that's really great. didn't like incredibly cheap.

242
00:23:27.119 --> 00:23:35.160
We'll see them attempted again in a few weeks time and then again in Planet of the Daleks, and I think it's much less successful in Planet of the Daleks.

243
00:23:35.880 --> 00:23:37.319
But it's such a rocket ship.

244
00:23:37.380 --> 00:23:39.420
Like it's awesome that it looks like a rocket ship.

245
00:23:39.599 --> 00:23:45.059
And like that's that's a really cool, but but yes, because there's no space for them to be anywhere else.

246
00:23:45.119 --> 00:23:48.599
The fogs are just sort of like right up against us at that point.

247
00:23:49.619 --> 00:23:50.519
They're terrifying.

248
00:23:51.539 --> 00:23:58.259
Well, it's the sort of, it's the fluffiness that is so contraindicated to the, the giant points that are sticking out of them.

249
00:23:58.500 --> 00:24:06.960
And like the fact that, you know, it's part of the environment, which is a strange thing for me, uh, to associate the Daleks with uh, the Varga plants.

250
00:24:07.019 --> 00:24:12.059
I know that, you know, again, the very 1st time that they're introduced, sort of like they're swampy areas and stuff like that.

251
00:24:12.359 --> 00:24:44.460
But I feel like that's something that definitely, you know, was lost later and and really has never appeared in the new series is that the Daleks have these sort of like ancillary attack modes or like, you know, you're talking about sleeper agents, Nathan, earlier, but like also like the fact that they can bring as mechanical and as sort of solid and metallic as they look, they have a sort of natural component that they bring with them that they can install to like begin to sort of like manipulate that environment in the sort of way that, you know, the sort of Zygon plan in the 50th anniversary

252
00:24:44.460 --> 00:25:02.940
is to terraform the planet to make it habitable for the Zygons that the Daleks have these sort of like, and I wondered about it, again, until I watched it several times and finally got this idea that they bring them with them to the planet, you know, to install them as sort of like, uh, guards or sentries or whatever happens to be.

253
00:25:03.000 --> 00:25:09.420
And as slow as they move, it doesn't matter because as soon as you touch it, it begins to exert that influence.

254
00:25:10.019 --> 00:25:11.940
It's kind it's insidious and kind of excellent.

255
00:25:12.539 --> 00:25:15.480
It's kind of like a slow moving zombie plant apocalypse.

256
00:25:16.740 --> 00:25:17.519
Yeah, yeah, yeah.

257
00:25:17.640 --> 00:25:28.559
Well, I mean, like, Terry, Terry has some weird idea about plants, I have to say, because we had the, we had the fungoids, which not plants, admittedly.

258
00:25:29.339 --> 00:25:31.559
They were funkis from the chase.

259
00:25:31.920 --> 00:25:33.900
Yeah, they're like tugging.

260
00:25:34.079 --> 00:25:34.799
Stop it at once.

261
00:25:37.559 --> 00:25:43.740
He does that thing where he thinks, he goes, they're plants, but it's like they're alive.

262
00:25:44.579 --> 00:25:46.200
I know what you think alive.

263
00:25:46.380 --> 00:25:47.099
They really are.

264
00:25:47.279 --> 00:25:48.779
Most plants are, Terry.

265
00:25:49.619 --> 00:25:52.259
Just because he can't keep a pot plant going. doesn't mean the rest of us.

266
00:25:55.200 --> 00:26:02.519
I think, you know, the only the only kind of hint of this that we get, like, Terry does like to put sort of monsters in there.

267
00:26:02.519 --> 00:26:11.819
And so Planet of the Daleks has the fungus things that spray Joe. And then there's the roots in death to the dialects.

268
00:26:11.880 --> 00:26:19.140
And then, of course, when we're trying to get in under the Dalek city, much as we did in the Daleks, we've got those giant clams and stuff.

269
00:26:19.319 --> 00:26:20.039
Yeah, yeah.

270
00:26:20.099 --> 00:26:20.640
Oh, yeah.

271
00:26:20.700 --> 00:26:21.599
I love the big clans.

272
00:26:22.500 --> 00:26:28.500
I think they might be the most successful ones and it may be because they 1st encountered them when I was 10 and thought they were amazing.

273
00:26:30.059 --> 00:26:41.579
And I hadn't put that together either because once in the Capaldi era, when they do the magician's apprentice and the, when they go and visit Baby Davros or whatever, they've got the hand mines, which I, like, I'd forgotten about, those are genius also.

274
00:26:42.299 --> 00:26:46.799
That is very Terry Nation now that you mention all these other examples that, again, just slipped my mind.

275
00:26:47.039 --> 00:26:49.859
It's a lot of strange genetic engineering that the Daleks are doing.

276
00:26:49.920 --> 00:26:52.559
I guess because, you know, they're internally.

277
00:26:52.559 --> 00:26:56.700
There's a weird genetic modified blob.

278
00:26:57.000 --> 00:27:01.500
And so they're constantly trying to make other ancillary blobs.

279
00:27:03.539 --> 00:27:10.079
I mean, it is also just a sort of a way of delaying the Daleks, because we want to make the Daleks really deadly here.

280
00:27:10.859 --> 00:27:12.720
We can only really encounter them.

281
00:27:12.779 --> 00:27:18.960
Like you get that one moment where they sort of appear behind a dalek and then, you know, quickly get down on the dalek, doesn't notice.

282
00:27:19.019 --> 00:27:19.559
I love that though.

283
00:27:19.559 --> 00:27:20.519
It's really good.

284
00:27:20.640 --> 00:27:27.299
And, you know, the Dalek inability to see people who are quite near them is sort of legendary.

285
00:27:27.420 --> 00:27:34.920
But we essentially have to like the account with them has to be deadly because we're just making them super deadly from now on.

286
00:27:35.099 --> 00:27:48.359
And so we have to have an intermediate threat, which is clearly what the slither is for and clearly what the those octopus things in the swamp or that big drain that that guy falls over near and dies for some reason in the Daleks.

287
00:27:48.480 --> 00:27:59.880
Um, uh, so to have this intermediate threat, he just makes it a Dalek threat, he says, okay, well, the Daleks, they they like to bring pot plants with them to the pilots that they invade.

288
00:27:59.880 --> 00:28:02.099
In a macrame holder.

289
00:28:03.539 --> 00:28:04.859
And it's just a thing.

290
00:28:12.720 --> 00:28:14.460
Can we talk about the sets again?

291
00:28:14.640 --> 00:28:20.279
Because you were talking about how the how crowded the set is with the with the rocket ship and the 2 Varga plants?

292
00:28:20.339 --> 00:28:27.000
Like there's a really like, there's a lushness to that and a fulness to what you see on screen.

293
00:28:27.240 --> 00:28:39.119
But what I really want to mention and shout out is the production staff, the set designers, because for a 24, 25 minute episode, there were a lot of different sets in this episode.

294
00:28:39.299 --> 00:28:41.160
Like the variety is almost constant.

295
00:28:41.220 --> 00:28:57.900
Like you do go back and forth to Corey and Lowry at the ship and, you know, whatever, but you get 3 or 4 distinct sets and in the course of a 24, 25 minute episodes, It feels a lot pacier because you're seeing so many things in the course of such a short period of time.

296
00:28:58.319 --> 00:29:00.720
And also, we get the model set, which is hilarious.

297
00:29:00.839 --> 00:29:01.440
I love that.

298
00:29:02.339 --> 00:29:08.579
Little tiny Daleks going around. so cute. was so great. being pushed on sticks.

299
00:29:09.059 --> 00:29:09.539
Yes.

300
00:29:09.960 --> 00:29:14.519
Oh, I thought they were like had magnets underneath and someone's like dragging them along and they're not quite keeping up.

301
00:29:15.059 --> 00:29:22.259
But no, but they I think they did manage the the feel of a guy in a tricycle. you know what I mean?

302
00:29:22.319 --> 00:29:24.299
Who doesn't have any, like, really good. like that.

303
00:29:24.359 --> 00:29:31.500
The way that the Daleks move in the studio. which is very much guy on tricycle. you know, moving in little fits and starts.

304
00:29:31.559 --> 00:29:33.240
Like I think that they did really manage that.

305
00:29:33.299 --> 00:29:38.039
And I have to say the 1st time I saw it before I saw the making of it didn't occur to me that they were little models.

306
00:29:38.099 --> 00:29:42.240
I did think that they were pretty well done, particularly since they're mostly in close-up.

307
00:29:42.299 --> 00:29:44.220
Like, I think the close-up are the full size ones.

308
00:29:44.579 --> 00:29:45.480
The closer, yeah.

309
00:29:45.539 --> 00:29:48.180
I mean, there's one that looks like it's only, they've only made half of it.

310
00:29:50.579 --> 00:30:01.079
The only thing that gave it away to me was the console thing behind them. because it looked like a little model, whereas everything else moving, like because everything else was in motion, I mean, again, they hit it very very well.

311
00:30:01.440 --> 00:30:03.599
And they do have full-size dialects, don't they?

312
00:30:03.660 --> 00:30:05.940
Yeah, in the actual in in the forest.

313
00:30:06.000 --> 00:30:22.440
I mean, in the original thing, we go away for 4 weeks, don't we, to do the myth makers and then we come back and presumably all the sort of aspodistras and ferns and things that we bought and we're just storing them in the production office and stuff for a month and then we drag them back into the studio or something.

314
00:30:23.400 --> 00:30:25.859
So maybe we amortise that over.

315
00:30:25.980 --> 00:30:29.700
I mean, it's not like this is our last time on the planet Campbell.

316
00:30:29.759 --> 00:30:48.960
No Let's talk about the fact that the doctor and Stephen and Vicki aren't here.

317
00:30:49.619 --> 00:30:56.099
It must have been such a like a mind-blowing experience for people to tune into Doctor Who, and there's no Doctor Who.

318
00:30:56.400 --> 00:30:58.319
Like there's Daleks, which we all love.

319
00:30:58.740 --> 00:31:02.700
But it's like, oh, he's not, oh, okay.

320
00:31:04.140 --> 00:31:05.220
They're having a wake off.

321
00:31:05.519 --> 00:31:06.420
Yeah, yeah, yeah.

322
00:31:06.480 --> 00:31:08.460
And I mean, we kind of are now used to that.

323
00:31:08.819 --> 00:31:13.380
And, you know, the show has given its regulars the week off before now.

324
00:31:13.380 --> 00:31:15.240
Up on the head, little 9 eyes.

325
00:31:15.359 --> 00:31:16.140
Yeah, that's right.

326
00:31:16.200 --> 00:31:19.680
I'm just going to pop ahead with his travel dial to episode five.

327
00:31:20.339 --> 00:31:22.920
I'm gonna be in this prison that I can't really be seen in.

328
00:31:24.420 --> 00:31:26.700
So it's not like it hasn't happened before.

329
00:31:26.880 --> 00:31:32.220
This is not the only Dr. Light episode to date, but one with no regulars at all.

330
00:31:32.640 --> 00:31:41.279
And what's really weird about it is the way that they feel like they have to throw the narrative to this place.

331
00:31:41.880 --> 00:31:46.559
Normally the narrative tracks, the doctor wherever he is or the doctor and his friends.

332
00:31:46.920 --> 00:32:02.880
But in order to license an episode without them, we have to have Vicki look out the window or whatever, um, at the end of Galaxy 4, and she kind of goes, oh, look at that planet, I wonder what's going on there.

333
00:32:03.420 --> 00:32:05.940
And then you have the doctor saying, yes, I wonder as well.

334
00:32:06.000 --> 00:32:08.400
And then we actually cut to that opening scene.

335
00:32:08.460 --> 00:32:13.440
Like so we see Garvey regaining consciousness and telling us all that he's off to kill someone.

336
00:32:13.980 --> 00:32:21.059
I mean, so it looks like we're getting a story which starts from the outside and that's not that common.

337
00:32:21.119 --> 00:32:23.460
Has that happened yet at this point?

338
00:32:23.880 --> 00:32:32.099
Have we had a story that starts, you know, how in the 70s, very frequently, you know, the story starts on the planet and then the doctor arrives.

339
00:32:33.000 --> 00:32:35.400
But that's not normal in the 60s, is it?

340
00:32:35.460 --> 00:32:36.059
No, not really.

341
00:32:36.420 --> 00:32:40.559
Like, it's headfirst into whatever the mysterious cliffhanger was.

342
00:32:41.220 --> 00:32:41.880
Yeah, yeah.

343
00:32:41.940 --> 00:32:50.099
And so and so we're probably waiting for the doctor to arrive for the entire time and then he never does and everyone gets killed.

344
00:32:50.400 --> 00:32:52.799
Yeah, if you were a kid, you'd be like, what happened there?

345
00:32:52.980 --> 00:32:54.539
The Daleks just murdered everyone.

346
00:32:55.380 --> 00:33:11.759
And then next week, we get the myth makers, which, again, is 3 really fun kind of comedy episodes and then, you know, a violent massacre in which everyone is killed again. you know, and then we're back on Kemble.

347
00:33:11.819 --> 00:33:27.960
I mean, it is very strange, because what we've decided to do is instead of having a dalek story at the start of the season and at the end of the season, like we did last year, we're combining them into one giant event where we have 3 months of just Dalek stuff happening.

348
00:33:28.319 --> 00:33:38.579
And so for us, because we're used to watching, because for us, the basic narrative unit of Doctor Who, classic Doctor Who is the four-part story or the six-part story or whatever.

349
00:33:39.000 --> 00:33:41.880
And that's what you buy as a DVD and stuff like that.

350
00:33:42.000 --> 00:33:44.640
It's not consumed like that by the people at home.

351
00:33:44.640 --> 00:33:48.299
And because, you know, at this point, it's not part one, part two.

352
00:33:48.359 --> 00:33:49.259
It's not even on screen.

353
00:33:49.500 --> 00:33:54.900
You know, everything has, you know, like an individual title, which we are kind of warned about.

354
00:33:55.019 --> 00:34:10.619
I mean, just think about the experience of the myth makers episode 4 where everyone's horribly killed, all of these fun characters are all sort of killed off and everything goes to hell and the doctor barely escapes and Stephen's really injured and all of that stuff's happening.

355
00:34:10.679 --> 00:34:14.340
And then it says on screen next week, the nightmare begins.

356
00:34:16.800 --> 00:34:21.300
Like, that, that whole way of watching Doctor Who.

357
00:34:21.360 --> 00:34:24.300
And so this thing kind of works.

358
00:34:24.420 --> 00:34:38.280
It's here for kind of weird budgetary reasons because we had to reshoot the Daleks, you know, 1st episode, we had to reshoot an unearthly child, we lost an episode when we combined episodes 3 and 4 of Planet of Giants.

359
00:34:38.460 --> 00:34:44.639
And so we have one more stray episode, this block, and it would be a good idea not to have any of the regulars in it.

360
00:34:44.699 --> 00:34:55.380
So it is here for just a sort of weird reason, but it just works incredibly as setting up what is just an enormous event.

361
00:34:56.159 --> 00:35:07.079
I think that it's kind of impossible to really understand now, given that we, you know, have so little of it and given that our experience of Doctor Who is nothing like this at any other time.

362
00:35:08.039 --> 00:35:25.380
It also gives a moment in that 1st episode of the Dalek Master Plan, when they are ignoring the message from Brett Vion, and they're talking about, you know, having their exposition conversation, that it gives that even more tragedy, having seen this episode.

363
00:35:25.440 --> 00:35:34.260
You're like, 0 man, all of that has been for nothing because they're just ignoring this little warning sign that this he's found the tape.

364
00:35:34.380 --> 00:35:37.199
He knows what's going on, but we're watching the telly.

365
00:35:39.360 --> 00:35:46.619
It kind of shows what happens when the doctor arrives late. to a story because he's not on Campbell.

366
00:35:46.679 --> 00:35:52.920
Like, he doesn't discover it because you think if he discovered that message, maybe it would only be a 4 parter.

367
00:35:53.280 --> 00:36:09.420
And I was going to say, just to bring both of those last couple comments together that, and, you know, we've gestured toward this already, that this is sort of sort of sets, you know, again, we have had maybe had episodes where the principles weren't hugely involved, but this is the, the, as a doctor less episode.

368
00:36:09.659 --> 00:36:14.760
You know, this sort of is an er text for what a doctor light episode can do and can be.

369
00:36:15.599 --> 00:36:37.019
What I mean by that is it sort of sets sort of wide boundaries for what happens, not only when the doctor is late, but when the doctor's not around, like, you know, talking about the inclination towards where Terry Nation will head in Blake 7, that the universe that the doctor occupies is one of, you know, I think it's the 2nd doctor who says, you know, there are various evils out there that have to be fought.

370
00:36:37.079 --> 00:36:41.340
Like, this is showing you what is possible when the doctor is not there.

371
00:36:41.400 --> 00:36:46.139
You know, whether it's because he's not there or because he didn't exist before or because he's late.

372
00:36:46.440 --> 00:36:59.760
Like the people who are in charge, you know, and that is whether that's Captain Lowry here when they land or when Mark Corey takes over, that it's just a succession of people screwing up until everyone's dead.

373
00:36:59.820 --> 00:37:11.159
Like, that is, that is not a very pleasant look at, at what the world or what the universe or what the galaxy or whichever word you want to use is like when, yeah, when, when there's no doctor.

374
00:37:11.219 --> 00:37:13.019
It's a, it can be a, it's a dark place.

375
00:37:13.079 --> 00:37:14.519
It's survival of the fittest.

376
00:37:14.940 --> 00:37:23.340
Which also acts as a kind of trailer to our big Dalek epic at the end of the season.

377
00:37:24.059 --> 00:37:31.079
So, you know, perhaps perhaps that is in some way an inspiration, you know, for how that season ends.

378
00:37:32.159 --> 00:37:54.719
And I think too, as well, maybe Dalek in series one, which is the small scale thing, you know, explicitly Dalek, you know, it's the 1st time that we've had Dalek in the title where it hasn't been plural or a modifier, and then that leads to, you know, more Daleks than we've ever seen in a Doctor Who story ever.

379
00:37:55.260 --> 00:38:05.280
And that's, again, set in a kind of bleak totalitarian future as well, although one that's been kind of engineered for humanity by the Daleks themselves.

380
00:38:06.119 --> 00:38:14.340
But the crazy thing about both of those episodes, about turn left and Dalek, is that you have in the episode, the example of the kind of solace and sucker that the doctor provides.

381
00:38:14.820 --> 00:38:19.559
In this episode, Corey, Lowry, Garvey, these are just normal.

382
00:38:19.619 --> 00:38:23.280
And this is the other thing we haven't really talked about, is this sort of terry nation sort of naming conventions.

383
00:38:23.340 --> 00:38:24.360
Like, there's none of that here.

384
00:38:24.420 --> 00:38:31.980
Like, there are none of the, there are no Dells, no Terrence, uh, none of these, like, they're all just like Mark, Corey, Jeff.

385
00:38:32.039 --> 00:38:34.860
Like, these are these are just regular guys.

386
00:38:34.920 --> 00:38:37.800
Like, there is no, there is no Doctor Who.

387
00:38:37.860 --> 00:38:51.900
You know, there is no, there is no bigger thing that's going to come and say that's what Corey wants to do to get the message out there, is to hope that someone hears the beacon and will come and understand that the Daleks are on their way thinking about our contemporary world.

388
00:38:51.960 --> 00:38:54.000
Like there's no one coming to save us.

389
00:38:54.059 --> 00:38:55.980
And that is that is terrifying.

390
00:38:56.519 --> 00:39:03.000
You know, as far as the guys who are the lead characters, the sort of the nominal heroes of this episode, there's no one coming, guys.

391
00:39:04.559 --> 00:39:06.000
That is that is bleak.

392
00:39:06.599 --> 00:39:07.260
Yeah.

393
00:39:08.340 --> 00:39:20.460
I think it also, it sets up beautifully what has become a trope, for one of a better term, in the more recent series, which is the best episodes are the doctor light ones.

394
00:39:20.880 --> 00:39:25.679
Like, you know, blink is incredible and we barely see the doctor. 73 yards.

395
00:39:25.739 --> 00:39:37.380
The doctor is in it for like all of 12 seconds, you know, and it's it's become a thing where if you get the doctor out of the way, you can make things much more terrifying.

396
00:39:37.440 --> 00:39:49.199
Like, Lucky Day is really unnerving because all of our heroes lose in that, essentially, until the very end, where Deos X Macanab, the monster is unleashed.

397
00:39:49.260 --> 00:40:00.239
But yeah, it's, uh, it isn't, it's interesting that, that that kind of idea goes all the way back to the 60s, that that is something the show has been doing for a very long time.

398
00:40:01.079 --> 00:40:08.639
And I was going to shout out dart and bubble as well, which, I mean, may not be the 1st thing that comes to mind, but this is a scenario in which no one cares.

399
00:40:09.179 --> 00:40:10.380
No one wants your help.

400
00:40:10.860 --> 00:40:13.139
Like that is that's even crueller.

401
00:40:13.199 --> 00:40:36.900
And that's one of the things where, you know, I feel like people sort of overlook the RTD 2 era for the sort of like, for the arc episodes, because a lot of what happens in the more granular, like standalone episodes is a lot darker and bleaker and more pessimistic and and more sort of like look at the world we live in, then I think that the, especially any part of the 1st RTD era was.

402
00:40:38.159 --> 00:40:41.579
But yeah, that sort of comes through here again, like the more times I watched it.

403
00:40:41.639 --> 00:40:51.900
There are lines that just stick out in Mission to the Unknown where, you know, Corey's, what his mission is or what his goal is has to change every few minutes when he, as things get worse and worse.

404
00:40:51.960 --> 00:41:01.199
And there's one part where he tells Lowry, you know, when they're still trying to figure out a way to get people to come and rescue them, where he says, all we have to do is stay alive until we get here.

405
00:41:01.500 --> 00:41:05.340
And like the 10th time I watched that, I was like, that's all you have to do.

406
00:41:06.059 --> 00:41:07.079
That's not going to happen.

407
00:41:07.199 --> 00:41:09.780
I'm like, that is, you've set your sights way too high, guy.

408
00:41:10.440 --> 00:41:12.900
Yeah, I love that he's kind of like Spice James Bond.

409
00:41:14.219 --> 00:41:16.079
Well, I think that was that was very much either.

410
00:41:16.139 --> 00:41:17.400
I think license to kill.

411
00:41:17.460 --> 00:41:19.739
You know, like that line is there.

412
00:41:19.800 --> 00:41:23.460
He's described in that way in order to be Space James Bond.

413
00:41:23.519 --> 00:41:25.739
And it like it is a different type of leading man.

414
00:41:26.280 --> 00:41:31.440
And remember that you've got the doctor who is a very weird leading man for this.

415
00:41:31.559 --> 00:41:41.219
Like when the Daleks master plan comes along and he's going through jungles and, you know, stealing spaceships from the car park at the at the conference centre on Campbell.

416
00:41:41.400 --> 00:41:48.719
You know, like, you know, he's an odd, an odd leading man for this.

417
00:41:48.840 --> 00:41:53.159
But Mark Corey is a more obvious leading man for this kind of story.

418
00:41:53.699 --> 00:41:59.579
And of course, we move the doctor to being more like Corey as time goes by.

419
00:41:59.760 --> 00:42:05.579
I mean, Pat Trouton's not much like Mark Corey, but he is at least younger and a little bit kind of mobile.

420
00:42:06.119 --> 00:42:08.760
Yeah, well, but and resourceful.

421
00:42:08.820 --> 00:42:10.739
Like, he can disguise himself and stuff like that.

422
00:42:10.800 --> 00:42:15.000
Like, James Bond, the doctor, like these icons that come up in this discussion.

423
00:42:15.059 --> 00:42:22.139
Like, that's one of the things that you realise about Mark Corey as you watch this episode is he doesn't have it.

424
00:42:22.619 --> 00:42:23.460
He doesn't have it.

425
00:42:23.519 --> 00:42:26.219
Like whatever they have, he doesn't have it.

426
00:42:26.280 --> 00:42:31.800
And that is, it just, it gets harder to watch every time you watch it when you realise his dad's going to get out.

427
00:42:33.599 --> 00:42:35.460
Was he the George Lazenby of Doctor Who?

428
00:42:39.059 --> 00:42:40.500
Don't tell Palm again that.

429
00:42:52.800 --> 00:42:55.320
It's one of the great things about being able to see this.

430
00:42:55.440 --> 00:43:05.460
You know, what is that, seven, 7 years before, episodes one and 3 of the, like, how lucky we've been over the past, like, 7 years to have this leading the way.

431
00:43:05.519 --> 00:43:09.239
Like this as the sort of vanguard of what we would get to come.

432
00:43:09.719 --> 00:43:19.019
But like to have all of those things restored and to watch it again, uh, you know, listened, I listened to the uh, Peter Purvis linking narration soundtrack a couple of times also.

433
00:43:20.219 --> 00:43:27.960
It really is fun, especially to have sort of that presence in the story before he actually enters the story, as it were.

434
00:43:28.559 --> 00:43:34.440
But one thing I really noticed here that, I don't know, you know, I don't really spend a lot of time and it's my, it's, that's my loss.

435
00:43:34.500 --> 00:43:37.139
That's my failure with the Hartnell era.

436
00:43:37.199 --> 00:43:39.239
Like, I've said on other podcasts before.

437
00:43:39.360 --> 00:43:44.099
Like, I have more exposure to the Hartnell era through big finish audio plays.

438
00:43:44.699 --> 00:43:48.119
Like, I love Peter Purpose playing the 1st doctor in Big Finish.

439
00:43:48.179 --> 00:43:51.179
I love the David Bradley unbound sort of doctor.

440
00:43:51.840 --> 00:43:55.260
But I spend much more time with that than I have with the episodes themselves.

441
00:43:55.739 --> 00:44:07.619
And one thing I noticed in listening and watching Mission to the Unknown several times now is the, you know, we talk about like the sort of four-partness of Doctor Who at this sort of stage.

442
00:44:07.980 --> 00:44:19.559
But with a one parter, you have, I want to say 4 or 5 different cliffhangers and that these are indicated by the sort of like brass flourishes or there's a string flourish at one point.

443
00:44:19.800 --> 00:44:25.139
There's one where the Dalek, you know, announces his I think it's the one where he says like, no, they have to be killed on site.

444
00:44:25.139 --> 00:44:32.039
And there's a sort of, you know, a basso profundo, sort of like really deep and rumbling sort of cliffhanger flourish.

445
00:44:32.159 --> 00:44:42.239
Like, I love that that, again, like, it keeps the pace going that each of these, like, scenes or set pieces is sort of its own sort of mini episode within an episode.

446
00:44:42.300 --> 00:44:50.159
And I'd never really noticed the extent to which music is used in the Hartnell era specifically to indicate rising tension.

447
00:44:50.280 --> 00:44:51.960
And I really appreciated that here.

448
00:44:52.380 --> 00:44:56.519
But they replicated even in the in the UCL presentation.

449
00:44:56.579 --> 00:45:01.800
When you watch it on the Doctor Who YouTube channel, that is a really charming intro that Edward D'Souza gives.

450
00:45:02.159 --> 00:45:05.340
And he says, enjoy the program, but beware the Vargas.

451
00:45:05.460 --> 00:45:07.320
And then they do another little sting.

452
00:45:07.380 --> 00:45:16.139
Like, I'm just like, and I, again, I only noticed that having now watched the episode and listen to the, to the, to the linking narration production as well.

453
00:45:16.320 --> 00:45:20.219
And then at the very, very end when they're, they put up on the screen, the Daleks will return.

454
00:45:20.280 --> 00:45:21.480
There's yet another one.

455
00:45:21.780 --> 00:45:26.039
And I just, and I'm just like, that is such, it's such an integral part.

456
00:45:26.099 --> 00:45:27.599
And again, one that I had never noticed before.

457
00:45:27.599 --> 00:45:30.300
And I have a real appreciation for it now.

458
00:45:31.139 --> 00:45:38.579
And that strikes me as a very cheesy kind of, like a flash gore kind of, yeah, yeah, yeah.

459
00:45:38.639 --> 00:45:41.340
Like absolutely that sort of dramatic sting.

460
00:45:41.760 --> 00:45:53.820
And it's nothing at all like the kind of music that we've had in previous dialect stories, which is intended to be for atmosphere more than anything else, including the chase, where the atmosphere is isn't all this terribly silly.

461
00:45:54.960 --> 00:46:16.440
But, you know, the incredible music in both of the 2 previous Stalek serials. which is nothing like that, where this is a absolute soap opera soundtrack, which is coming into just underline the thrilling tension rather than the weird or threatening atmosphere that we get in the other ones.

462
00:46:16.500 --> 00:46:23.219
And so it is all part of that development of what the Daleks have become like in their kind of 4th appearance.

463
00:46:23.519 --> 00:46:33.360
And I wonder also if that rising tension and dropping, you know, almost like there's ad breaks is because Terry Nation is like, how do they do things in America?

464
00:46:33.900 --> 00:46:35.940
How do I sell this to the Americans?

465
00:46:36.119 --> 00:46:37.559
There's going to be commercials.

466
00:46:37.679 --> 00:46:44.039
I've got to find that that rhythm that American TV shows have because I really want to make even more money than I've got now.

467
00:46:46.260 --> 00:46:51.239
I was going to say, the weird thing is I felt, I, you know, as the American on the panel, I fell for it.

468
00:46:51.300 --> 00:46:52.739
Like, I fell for a hook line and sinker.

469
00:46:52.800 --> 00:46:55.559
Like, I really like, I loved the rhythm of it.

470
00:46:55.619 --> 00:46:57.900
I love the paciness of it.

471
00:46:57.960 --> 00:47:09.000
I loved the sort of over the top serialness, the flashboard, the Star Warsness of like almost, you know, there weren't like screen wipes, but like the flourishes had that sort of effect, you know?

472
00:47:09.000 --> 00:47:10.320
I was carried along by it.

473
00:47:10.380 --> 00:47:12.599
It's like, again, it's how you do space opera.

474
00:47:13.199 --> 00:47:22.500
But I mean, compared to like the Daleks episode six, which is just a couple of years earlier, which is almost intolerably slow and boring.

475
00:47:23.460 --> 00:47:26.099
So much of it made it into that 90 minute cut, and I don't know why.

476
00:47:29.579 --> 00:47:45.719
So the show itself, I think, you know, has advanced from being, you know, like the Daleks itself, when it's successful and it is sometimes successful, is atmosphere and design and conceptions and stuff.

477
00:47:45.780 --> 00:47:47.639
It's classic science fiction.

478
00:47:48.360 --> 00:47:56.699
And then it's a little bit more action adventure in Dalek Invasion of Earth, which is the point we made a few weeks ago, is that's where Doctor Who lands.

479
00:47:56.760 --> 00:47:57.480
Do you know what I mean?

480
00:47:57.539 --> 00:47:58.619
That's a little bit more central.

481
00:47:59.820 --> 00:48:03.599
You know, there's the camp nonsense of the chase.

482
00:48:04.019 --> 00:48:08.880
But here, this is us absolutely doing space opera.

483
00:48:09.119 --> 00:48:10.199
Space opera.

484
00:48:10.440 --> 00:48:11.519
So good.

485
00:48:11.579 --> 00:48:11.880
So good.

486
00:48:11.940 --> 00:48:16.739
And again, we you know, we've mentioned it earlier, but the crazy outfits of the of the delegates.

487
00:48:16.800 --> 00:48:20.219
It's just like it all, it feels, it feels right.

488
00:48:20.639 --> 00:48:21.480
It feels right.

489
00:48:21.599 --> 00:48:23.099
It feels good.

490
00:48:23.159 --> 00:48:25.920
And when they're all like having their sort of conference.

491
00:48:25.980 --> 00:48:38.159
Like, it's such a contrast to what's going on outside with Corey and Lowry trying to figure out how to make contact, like, that this sort of like organised, civilised, like, it, it, I really love that contrast as well.

492
00:48:38.219 --> 00:48:41.940
Like this episode does so many things in 24, 25 minutes.

493
00:48:42.840 --> 00:48:51.179
Uh, and you know, we've, we've, you know, we mentioned it's a, it's a running joke about the universe, uh, solar system, uh, galaxy kind of stuff.

494
00:48:51.239 --> 00:49:13.079
But I, again, I love this idea where the Daleks, when, or the scene where the dogs are talking about, you know, how this conquest will, uh, uh, you were alluding to it earlier, Nathan, the sort of, we will go after Mars and Venus and Jupiter and the, and the lunar colony. will be first, like, because it is, and I love because, and the dog says, because it's the centre of the solar system.

495
00:49:13.139 --> 00:49:15.360
And I'm like...

496
00:49:15.360 --> 00:49:16.380
Do the dogs not have...

497
00:49:16.380 --> 00:49:17.880
Do the dogs not have star charts?

498
00:49:17.940 --> 00:49:21.539
Like, I never pictured the Daleks being sort of atavistic geocentrists.

499
00:49:21.539 --> 00:49:24.780
Like, we're past Ptolemy at this point, guys.

500
00:49:24.840 --> 00:49:28.440
Like, yeah, although, wake up and smell like Copernicus.

501
00:49:28.920 --> 00:49:35.460
If this was in my podcast, I would now theorise that they're talking about the economic centre of the solar system.

502
00:49:36.480 --> 00:49:38.579
Oh my, and I would buy into that.

503
00:49:39.539 --> 00:49:45.000
And so when they talk about the centre of it, like the solar system for them is a construct.

504
00:49:45.059 --> 00:49:46.800
It's not even the physical thing.

505
00:49:46.860 --> 00:50:01.260
They talk about the solar system as like, oh, it's an alliance of planets that we're, you know, trying to invade and the earth is the centre of it because that's where all of the, you know, and that's why Maverick Chen is the guardian of the solar system because he's got all of the Excel spreadsheets.

506
00:50:03.300 --> 00:50:04.320
He's got the big key.

507
00:50:04.559 --> 00:50:09.360
I was going to say, I totally buy into that now because we've seen how Maveic Chen like regards everything.

508
00:50:09.420 --> 00:50:10.079
Like, I love that.

509
00:50:10.139 --> 00:50:10.679
What is it?

510
00:50:10.739 --> 00:50:15.659
episode 3 where he's just like leaning against the panel having a cigarette while the dogs are talking about killing everybody.

511
00:50:15.719 --> 00:50:16.800
I'm like, yeah?

512
00:50:18.059 --> 00:50:20.039
But he knows where he knows where his bread is butter.

513
00:50:20.099 --> 00:50:21.960
He knows who's paying the who's paying the bills.

514
00:50:23.519 --> 00:50:31.679
I mean, I think they said sort of terrible, charming thing as well, where I think Corey is explaining about how the Daleks have been expanding.

515
00:50:33.000 --> 00:50:34.139
For 500 years, yes.

516
00:50:34.440 --> 00:50:35.039
Yeah, yeah.

517
00:50:35.099 --> 00:50:45.480
And they've taken over like 70 different planets in like at some nearby galaxy or something and an extra 40 planets in the constellation of mirror.

518
00:50:45.539 --> 00:50:50.460
It just kind of... doesn't seem all that urgent.

519
00:50:50.639 --> 00:50:54.780
And then there's that thing where it's like, but they're 1000000s of light years away from us.

520
00:50:54.780 --> 00:50:57.539
Or so we thought, it's like when they moved.

521
00:50:59.880 --> 00:51:00.900
They do like to move planets.

522
00:51:02.039 --> 00:51:02.880
Well, they do.

523
00:51:02.940 --> 00:51:03.420
That is true.

524
00:51:03.480 --> 00:51:05.340
They do. spin around.

525
00:51:06.480 --> 00:51:24.239
I think there is a kind of level of deliberateness to the just ludicrous inaccuracies of cosmology here. because they're trying to make it sound future and because they're trying to sketch in this sort of weird intergalactic world.

526
00:51:24.480 --> 00:51:31.380
We're going planet hopping in this sort of crazy way, in 4 weeks time, things are going to be really amazing.

527
00:51:31.440 --> 00:51:36.599
We're going to be going from planet to planet to planet to planet without sort of time machines to take us there as well.

528
00:51:37.320 --> 00:51:59.519
Well, I think the other side of that coin, though, is that that discussion between Lowry and Corey just shows how Lowry, especially, who doesn't know any of this, but Corey, for his own part, as much as he does know, they're still underestimating the ruthlessness and the sort of the sort of domino effect that you were talking about earlier, Adam, of in terms of contemporary geopolitics.

529
00:51:59.639 --> 00:52:02.099
Like the dominoes are falling and they're getting closer.

530
00:52:02.159 --> 00:52:05.880
Like, you may think that that's far away, but you don't know the Daleks.

531
00:52:06.420 --> 00:52:07.559
So I think that there's that as well.

532
00:52:08.219 --> 00:52:11.340
Yeah, they're basically going, we're on Vietnam.

533
00:52:11.400 --> 00:52:12.119
Look at the jungle.

534
00:52:14.039 --> 00:52:14.940
It's happening now.

535
00:52:16.619 --> 00:52:17.880
We have to deal with it.

536
00:52:17.940 --> 00:52:19.559
Otherwise, we're all going to be Vaga plants.

537
00:52:46.260 --> 00:52:48.719
Well, that's all the time we have to be some week.

538
00:52:49.019 --> 00:52:58.800
We'll be back next week to discuss a three month Dalek epic that spans every universe in the solar system in the Daleks master plan.

539
00:53:00.480 --> 00:53:19.380
In the meantime, you can find us wherever you get your podcasts and you can keep up with us on our website, 500yeardiary.com, where you'll find our social media links as well as links to all of our other podcasts, including the entirety of flights or entirety, which comprises every episode of our 4 Doctor Who podcasts.

540
00:53:20.699 --> 00:53:25.440
Until next time, if any of you know Marco Simeoni, please shout him a drink for us.

541
00:53:25.500 --> 00:53:26.639
He's adorable.

542
00:53:27.059 --> 00:53:29.099
Thank you very much for listening and good night.

543
00:53:29.579 --> 00:53:30.360
Good night.

544
00:53:30.420 --> 00:53:31.139
Ta-ta.

545
00:53:31.199 --> 00:53:31.679
Good night.

546
00:53:43.739 --> 00:53:49.380
That was 500 Year Diaries, starring Nathan Bottomley, Melvin Penya, Adam Richard, and James Selwood.

547
00:53:49.619 --> 00:53:51.960
The theme was composed by Cameron Lamb.

548
00:53:52.260 --> 00:53:59.400
This episode, Solace and Sucker, was recorded on the 21st of June 2026 and released on the 13th of September.

549
00:54:00.960 --> 00:54:14.340
Adjust over an hour in length, this episode is about 2.4 times the length of the story itself, which means it would be wise to expect next week's episode on the Dalek's master plan to be 12.5 hours long.

550
00:54:15.179 --> 00:54:17.579
So it might be an idea to clear your diary.

551
00:54:28.559 --> 00:54:29.340
What do you think?

552
00:54:30.480 --> 00:54:31.079
That was fun.

553
00:54:31.139 --> 00:54:32.159
Yeah, I think that was good.

554
00:54:32.340 --> 00:54:35.579
Yeah, I think that was, I can't believe that we spoke for so long about it.

555
00:54:35.699 --> 00:54:36.239
We did.

556
00:54:36.300 --> 00:54:37.260
Well, because it's fun.

557
00:54:37.679 --> 00:54:43.500
Also, you know, it feeds into, you know, a lot of ongoing things in the series.

558
00:54:43.559 --> 00:54:45.719
So it's, it's, uh, Yeah.

559
00:54:45.780 --> 00:54:46.139
Yeah.

560
00:54:46.980 --> 00:54:59.280
And it's, and it's also, it's also so much richer than, than I think you, then you, then you give it credit for on a, on a sort of cursory, uh, a cursory glance or, or, you know, you think of it as an, as a sort of like throwaway.

561
00:54:59.340 --> 00:55:01.440
They call it, didn't they used to call it the Dalek?

562
00:55:01.980 --> 00:55:04.860
I tried to get that into the script, actually, of the intro.

563
00:55:05.400 --> 00:55:06.719
It wouldn't work out.

564
00:55:06.719 --> 00:55:14.639
Because isn't the, isn't the, I thought the charlic cutaway was the, that cardboard garlic, that they...

565
00:55:14.639 --> 00:55:30.900
So the thing that we didn't get the chance to say was that tat wood in about time thinks that that final confrontation in the Daleks episode 7 is so ineptly directed by Richard Martin that you, you can no longer believe that those are just a row of daleks up against the wall of the thing.

566
00:55:31.199 --> 00:55:39.659
And then all of the Daleks bring big life-size blow-up photographs of their wives to work. on the wall.

567
00:55:43.019 --> 00:55:45.599
Oh my god, I remember reading them losing my mind.

568
00:55:47.760 --> 00:55:50.099
So they're bringing their macrame in their pot of plants.

569
00:55:50.099 --> 00:55:53.400
It's perfectly in character.

570
00:55:53.400 --> 00:55:57.059
Yeah, around the context. pot plants.

571
00:55:57.119 --> 00:56:04.199
We've got, oh, we've got to bring the accordion man, which the Dalek commandant likes.

572
00:56:04.199 --> 00:56:06.840
That's his...

573
00:56:10.500 --> 00:56:12.960
Oh, yeah, what absolute nonsense.

574
00:56:13.019 --> 00:56:13.860
It's so charming.

575
00:56:13.920 --> 00:56:14.460
Yeah, yeah, yeah.

576
00:56:14.579 --> 00:56:17.699
I'm so I'm so thrilled that y'all invited me on to talk about this.

577
00:56:17.760 --> 00:56:20.039
Oh, thanks. thank you.

578
00:56:20.099 --> 00:56:23.219
Well, but ever since I was assigned it, like, because I had several choices.

579
00:56:23.219 --> 00:56:28.320
And, you know, I was like, oh, it's not, you know, thinking about it in the in the in the intervening months.

580
00:56:28.380 --> 00:56:38.039
I'm like, oh, it's just the one episode, but like, the more I've watched it, again, the richer and more sort of like, the more it's blossomed for me in a sort of Varga plant sort of way.

581
00:56:38.519 --> 00:56:40.500
It's really, really perfected.

582
00:56:40.920 --> 00:56:43.199
Like the heart of the year, I don't really rate all that much.

583
00:56:43.500 --> 00:56:44.400
Do you know what I mean?

584
00:56:44.460 --> 00:56:53.639
Like I have to kind of watch it as a historical document rather than something that I can really straightforwardly enjoy, maybe the chase.

585
00:56:55.139 --> 00:57:01.500
Well, like I said, I haven't, well, like I said, I haven't really spent a lot of time with the Heartnell era with the actual, with the actual stories.

586
00:57:01.559 --> 00:57:06.480
So, I mean, recently I did an episode for the vinyl to celebrate the vinyl release of the rescue.

587
00:57:06.840 --> 00:57:21.719
Oh, and, you know, again, but the contrast between an episode like that, an episode like this shows you what the consequences of that doctor, that doctorlessness are, because the doctor is, he feels like he is in command, that entire episode.

588
00:57:21.780 --> 00:57:23.219
He sort of swaggers through the whole thing.

589
00:57:23.639 --> 00:57:32.699
In the end, when he's in the hall of sort of legends or whatever, you know, leaning back in the chair, waiting for Coquilian to come in, like you feel safe, you feel reassured.

590
00:57:33.000 --> 00:57:39.059
And that's the, and again, like, because that was just a couple months ago that I spent a lot of time with that episode.

591
00:57:39.300 --> 00:57:42.539
And then spending a lot of time with this episode in the intervening period.

592
00:57:42.840 --> 00:57:46.980
Like the contrast is, there's I mean, there's so much variety in the Harlem era.

593
00:57:47.039 --> 00:57:53.219
Like there's, it's really, it's really quite wonderful how you can go from something so sort of cosy to something so bleak.

594
00:57:53.639 --> 00:57:55.500
And it's going to continue to be bleak.

595
00:57:55.559 --> 00:57:56.340
I mean that's the other thing.

596
00:57:56.400 --> 00:58:01.920
There's lots of like fun Christmas shenanigans, obviously, around Christmas and New Year in this story.

597
00:58:03.119 --> 00:58:08.400
But even the, you know, like we've got the Daleks heading towards Earth. you know they're going to attack us.

598
00:58:08.639 --> 00:58:09.599
Do you know what I mean?

599
00:58:09.659 --> 00:58:10.679
Like during that time.

600
00:58:11.760 --> 00:58:12.360
Yeah, yeah.

601
00:58:12.420 --> 00:58:19.199
And, and, but, you know, this ends with everyone dies, 4 weeks later everyone dies.

602
00:58:19.739 --> 00:58:24.119
You know, by the time the Dalek's master plan happens, he's lost 3 companions.

603
00:58:24.659 --> 00:58:25.500
Do you know what I mean?

604
00:58:25.559 --> 00:58:31.800
Like by the end of that, like 3 of his friends have been killed, the planet Campbell has been completely devastated.

605
00:58:32.219 --> 00:58:34.559
And that's a thing that the show does as well.

606
00:58:34.619 --> 00:58:38.579
Like he just doesn't, he's not a proper hero and he doesn't save the day.

607
00:58:39.239 --> 00:58:48.539
And so this ends, you know, he does kind of win, but like at that ending, and it's such a shame that we don't have it because that's the other thing too.

608
00:58:48.599 --> 00:58:55.320
He turns up, doesn't he, in episode 11 or something like that, and he's been absent, and it's just like, oh, shit, the doctor's back.

609
00:58:55.380 --> 00:58:56.039
That's so great.

610
00:58:56.099 --> 00:58:56.940
I'm so happy.

611
00:58:57.420 --> 00:58:59.579
But he doesn't, you know what I mean?

612
00:58:59.639 --> 00:59:06.000
Like, and he only barely gets out of that alive, you know, like, it's super bleak.

613
00:59:06.059 --> 00:59:06.539
Do you remember?

614
00:59:06.780 --> 00:59:10.559
Do you remember in the arc, which is a miserably racist story?

615
00:59:11.039 --> 00:59:20.639
Um, we have the, we speculate that we've just been bringing diseases to everywhere that we go.

616
00:59:20.760 --> 00:59:22.019
Oh, yeah.

617
00:59:22.019 --> 00:59:28.679
It's like, yeah, yeah, Dodo, Dodo infects the mono space syphilis.

618
00:59:29.940 --> 00:59:36.059
And but then the doctor says, oh, yes, but we've probably been bringing back, you know, diseases, we listen to everywhere.

619
00:59:36.599 --> 00:59:38.699
They're all those...

620
00:59:38.940 --> 00:59:39.539
Did you know?

621
00:59:40.860 --> 00:59:42.659
I mean, look, that wouldn't be such a loss.

622
00:59:45.300 --> 00:59:58.739
And that was one of actually one of the things that I wondered about early on in my sort of like exploration of Mission to the Unknown was how the Varga plants got there until, you know, I don't know that they actually ever explicitly say it, but it becomes clear that they do bring them with them.

623
00:59:59.219 --> 01:00:06.900
Because I was wondering, like, you know, do they, because, you know, I do a lot of gardening and in past years, I had, uh, had a high breath.

624
01:00:08.219 --> 01:00:14.460
Well, no, but in past years, I had a plant appear in my garden called Amarant, which is sort of what they call a trap crop.

625
01:00:14.699 --> 01:00:16.139
So, you know, it grows.

626
01:00:16.199 --> 01:00:27.119
And when you're growing other vegetables, like cucumbers or okra, whatever it is that I grow, like, whatever, for whatever reason, the Japanese beetles or other pests are drawn, it's why I call it a trap crop.

627
01:00:27.179 --> 01:00:32.699
Like they will go to the Amaranth and eat that, which is inconsequential because they're leaving alone everything around it.

628
01:00:32.760 --> 01:00:44.699
And so I was wondering, like, did the Daleks, when they came to Kimble, because they knew it would be, I think Corey at some point says like, because it's not a planet that people visit, or because it's sort of out of the way, it's the sort of perfect place for the Daleks to come.

629
01:00:44.760 --> 01:00:54.000
So I'm thinking like, like with the Amaranth, like, because I used to farm with my friend Rochelle, I must have tracked that Amaranth seed on my clothes or in my shoe.

630
01:00:54.539 --> 01:00:58.440
So because I didn't plant it here, but it grew here and it's the, it was the exact same one.

631
01:00:58.500 --> 01:01:03.840
So I was like, did the Daleks just sort of track Vargo with them from Scaro or whoever?

632
01:01:03.840 --> 01:01:06.119
Oh, my God, did they muddy football?

633
01:01:06.300 --> 01:01:09.480
They do say that they did bring it to defend themselves, don't they?

634
01:01:09.539 --> 01:01:10.739
Like the Daleks actually say that.

635
01:01:11.219 --> 01:01:21.300
And, you know, it is a way of making the sort of silly monster threat into a Dalek threat and it gives us a good way for Mark Corey to deduce at the Daleks of here before he actually sees them.

636
01:01:22.260 --> 01:01:26.159
Well, they need to they need to look behind them because they can't see behind them.

637
01:01:26.340 --> 01:01:27.300
Yeah, maybe that's it.

638
01:01:27.300 --> 01:01:28.199
They just have one...

639
01:01:28.199 --> 01:01:33.059
They say one Vargas to follow us at all times.

640
01:01:33.900 --> 01:01:37.860
I love it if they'd brought seeds and they had to wait for years for them to Germany.

641
01:01:38.460 --> 01:01:46.079
Germination, yeah. like a row creator, like a little watering hire, an attachment.

642
01:01:47.579 --> 01:01:49.019
I don't I don't go.

643
01:01:49.199 --> 01:01:55.320
Yeah, what you call it when you...

644
01:01:57.119 --> 01:02:01.800
But yeah, I guess it has 100% germination if you bring dead bodies with you.

645
01:02:02.280 --> 01:02:03.599
Just toss a dead body out there.